利用者:ぎぶそん/作業場3
{Short description|Italian luthier}}
| Giovanni Battista Guadagnini | |
|---|---|
| 誕生日 | 1711年6月23日 |
| 出生地 | Bilegno in Val Tidone, Italy |
| 死没年 | 1786年9月18日（75歳没） |
| 死没地 | Turin, Italy |
| 国籍 | Italian |
| 運動・動向 | Guadagnini school[1] |
| 流派 |
|
| 芸術分野 | |
| 代表作 |
|
| ウェブサイト |
www |
| 会員選出組織 | Court luthier of Duchy of Parma[2] |
| 後援者 | |
Giovanni Battista Guadagnini (often shortened to G. B. Guadagnini; 23 June 1711 – 18 September 1786) was an Italian luthier, regarded as one of the finest craftsmen of string instruments in history.[3] He is widely considered the third greatest maker after Antonio Stradivari and Giuseppe Guarneri "del Gesù". The Guadagnini family was known for their violins, guitars and mandolins.[1]
Biography
[編集]ジョヴァンニ・バッティスタ・グァダニーニは1711年6月23日、現在の北イタリア、ピアチェンツァ県にあるビレーニョの村に生まれた。グァダニーニの生涯とその経歴は、ピアチェンツァ、ミラノ、パルマ、トリノの4つの都市に対応する4つの時期に分けることができる。
1738年に近郊のピアチェンツァに移り住むまでの初期については、ほとんど何も分かっていない[4]。彼が誰から、あるいはどこで仕事を学んだのかは不明である。木工ギルドに加入していたことから、地元の木工職人に弟子入りした可能性が高いが、当時のピアチェンツァに地元の楽器職人がいた形跡はない[5]。
1749年、グァダニーニはミラノに移り住み、そこで楽器の製作を続けた。彼がミラノに移った理由は不明であるが、ミラノはより大きな都市であり、より活発な音楽シーンがあったため、おそらく経済的な動機があったのだろう。この時期、彼の楽器のいくつかには、有名なヴァイオリン製作者であるアマティ、ストラディヴァリ、グァルネリの故郷であるクレモナとの関係を示唆するラベルが貼られているが、グァダニーニがクレモナに住んでいたという証拠は存在しない[5]。
1758年、グァダニーニは再びパルマに移り住む。グァダニーニは、ピアチェンツァ時代からの親しい音楽家の友人であったカルロ・フェラーリが、最近、公爵家の宮廷に任命されたことに惹かれたのかもしれない。パルマ時代、グァダニーニは宮廷とも密接な関係にあり、特に宰相ギヨーム・デュ・ティヨの音楽的庇護を受けていた。パルマでの晩年、グァダニーニは宮廷から直接給料を受け取っていた。1771年、宮廷の財政が悪化したため、グァダニーニは退去を申し出た[5]。
次に彼はトリノに移った。2年後の1773年、彼は著名なヴァイオリン・コレクターであるコツィオ伯爵との歴史的に重要な関係を始める。コッツィオは、この時期にグァダニーニの作品のほとんど（すべてではないにせよ）を購入し、また木材やその他の材料のほとんどを彼に提供した。伯爵は、グァダニーニにストラディヴァリをより忠実に模倣するよう圧力をかけ、またグァダニーニにストラディヴァリの作品の見本を提供することで、この時期にグァダニーニがよりストラディヴァリに近いスタイルへと顕著に変化した原因であると考えられる[7]。
ジョヴァンニ・バッティスタ・グァダニーニは、1786年9月18日にトリノで亡くなった[2]。
Giovanni Battista Guadagnini was born on June 23, 1711, in the hamlet of Bilegno, in what is now the Province of Piacenza in Northern Italy. Both his life and his career can be divided into four distinct periods, which correspond to the four cities in which he would live and work, Piacenza, Milan, Parma, and Turin.
Almost nothing is known about his early years until he moved to the nearby city of Piacenza in 1738.[4] In 1742, his first violins start to appear. It is unclear from whom or where he learned his trade. Since he joined the woodworking guild, it is likely that he underwent an apprenticeship with a local woodworker; however, there is no evidence of any local instrument makers in Piacenza at the time.[5]
In 1749 Guadagnini moved to Milan, where he continued to make instruments. The reason for his move is unknown, but was perhaps economically motivated as Milan was a much larger city with a larger and more active music scene. During this time a few of his instruments bear labels implying a relationship to Cremona—the home of the renowned violin makers Amati, Stradivari, and Guarneri—however no evidence exists that Guadagnini ever lived in Cremona.[5]
In 1758 Guadagnini moved again, this time to Parma. He may have been drawn to the city by the recent appointment of Carlo Ferarri, a close musician friend from his time in Piacenza, to a position with the Ducal Court.[6] During his time in Parma Guadagnini was also closely connected to the court, and in particular to the musical patronage of the Prime Minister Guillaume du Tillot. In his later years in Parma Guadagnini even received a direct salary from the court. In 1771, with the Court's financial fortunes in decline, Guadagnini asked to be allowed to leave.[5]
He next moved to Turin. Two years later, in 1773, he began his historically important relationship with notable violin collector Count Cozio. Cozio purchased most, if not all, of Guadagnini's output during this time, and also supplied him with most of his wood and other materials. His business partnership with Cozio ended in 1777, though they continued to have dealings with each other.[5] The Count is likely responsible for Guadagnini's marked shift to a more Stradivari-like style during this time, both by pressuring Guadagnini to more closely copy Stradivari and by providing Guadagnini with access to examples of Stradivari's work.[7]
Giovanni Battista Guadagnini passed away in Turin on September 18, 1786.[2]
Violin maker
[編集]グァダニーニの作品は、ピアチェンツァ、ミラノ、パルマ、トリノの4都市で制作されたため、4つの時期に分けられる。それぞれの新しい都市での彼の仕事は、材料の入手可能性、地元の音楽家のニーズ、そして最後にトリノではコッツィオ伯爵との関係に応じて変化した。グァダニーニの作品は、アマティスやストラディヴァリのような製作者と比べると、洗練された洗練されたものではないが、音色の成功に重点を置いている点は同じである[7]。一般的に、彼は偉大な歴史的製作者の最後の一人であると考えられており、ストラディヴァリとグァルネリに次ぐ地位にある[8]。
彼の楽器はオークションで2,000,000ドル以上で落札されている[9]。
Guadagnini's work is divided into four distinct periods, which correspond to the four cities in which he worked over the span of his career, Piacenza, Milan, Parma, and Turin. His work in each new city changed in response to the availability of materials, the needs of the local musicians, and finally in Turin, his relationship with Count Cozio. Stylistically Guadagnini's work is generally less refined and polished than that of makers such as the Amatis or Stradivari, however with the same focus on tonal success.[7] He is generally considered to be the last of the great historical makers, ranking just behind Stradivari and Guarneri.[8] He is also possibly the last of historical makers to have used a varnish similar to what was used by classical Cremonese makers.[7]
His instruments have sold for over $2,000,000 at auction.[9]
Performers with Guadagnini instruments
[編集]- Violinists
| Violinist | Date & place of manufacture | Sobriquet | Comments | Reference |
|---|---|---|---|---|
| Felix Ayo | 1744 | [10] | ||
| Veriko Tchumburidze | 1756, Milan | loaned by Deutsche Stiftung Musikleben[11] | [12] | |
| Riccardo Brengola | 1747, Piacenza | Contessa Crespi | [13] | |
| Adolf Brodsky | 1751, Milan | ex-Brodsky | [14] | |
| Zakhar Bron | 1757, Milan | [15] | ||
| Amaury Coeytaux | 1773 | [16] | ||
| Andrew Dawes | 1770, Parma | Dawes, de Long Tearse | [17][18] | |
| Richard Deakin | English chamber musician and soloist, currently teaching at RAM in London, was using one in 1980s and likely still is.[19] | |||
| Julia Fischer | 1742 | [20] | ||
| Carl Flesch | 1750s | ex-Henri Vieuxtemps | [21] | |
| David Garrett | 1772 | In December 2007, Garrett fell after a performance and smashed his Guadagnini, which he had purchased four years earlier for US$1 million.[22] He now uses it for mainly his outdoor crossover performances.[23] | ||
| David Greed | 1757 | Owned by the Yorkshire Guadagini 1757 Syndicate. | [24] | |
| Arthur Grumiaux | 1752 | ex-Grumiaux | [25] | |
| David Halen | 1753 | [26] | ||
| Jascha Heifetz | 1741, Piacenza | ex-Heifetz | Provenance - by Rembert Wurlitzer in 1946 and Dario D'Attili in 1991 | [27] |
| Marlene Hemmer | 1764 | [28] | ||
| Peter Herresthal | 1753, Milan | [29] | ||
| Willy Hess | 1740s | [30] | ||
| Joseph Joachim | 1767, Parma | ex-Joachim | [31] | |
| Ida Kavafian | 1751 | [32] | ||
| David Kim | 1757 | On loan from The Philadelphia Orchestra | [33] | |
| Min-Jeong Koh | 1767 | [34] | ||
| Goran Končar | 1753, Milan | [35] | ||
| Mikhail Kopelman | 1773 | [36] | ||
| Michał Kowalkowski | 1753 | Gucio | ||
| Jan Kubelik | 1750 | ex-Kubelik | [37] | |
| Pekka Kuusisto | 1752 | On loan from the Finnish Cultural Foundation | [38] | |
| Manfred Leverkus | 1752 | ex-Kneisel | Stolen in 2006 | |
| Jack Liebeck | 1785 | ex-Wilhelmj | [39] | |
| Wayne Lin | 1779, Turin | [40] | ||
| Tasmin Little | 1757, Milan | [29][41] | ||
| Mauro Lopes Ferreira | [42] | |||
| Haldon Martinson | 1750 | Being used in the Boston Symphony Orchestra | [43] | |
| Stefan Milenkovich | 1780, Turin | [44] | ||
| Viktoria Mullova | 1750 | [45] | ||
| Ludwig Müller | 1746 | |||
| Ginette Neveu | Purchased early spring, 1949. Involved in an air crash later that year, in which Neveu died. Scroll later apparently appeared in Paris, having changed hands several times. | [46] | ||
| David Plantier | 1766 | [47] | ||
| Simone Porter | 1745 | On loan from The Mandell Collection of Southern California | [48] | |
| William E. Pynchon | 1779, Turin | Purchased March 26, 1957. Played in San Francisco Opera until 1998 | ||
| Linda Rosenthal | 1772, Turin | [49] | ||
| Leon Sametini | 1751 | ex-Sametini | [50] | |
| Mari Samuelsen | 1773, Turin | On loan from ASAF (Anders Sveeas Charitable Foundation, Oslo). | [51][52] | |
| Stephanie Sant’Ambrogio | 1757 | [53] | ||
| Mayumi Seiler | 1740, Piacenza | |||
| Ittai Shapira | 1745, Piacenza | [54] | ||
| Sini-Maaria Simonen | 1760 | On loan from the Finnish Cultural Foundation | [55] | |
| Roman Simovic | 1752 | On loan from Jonathan Moulds | [56] | |
| Yvonne Smeulers | 1785 | [57] | ||
| Lara St. John | 1779 | Salabue | Called "The Resurrection" by St. John | [58] |
| Lyndon Johnston Taylor | 1777 | [59] | ||
| Henri Temianka | 1752 | Built based on the Petro Guarnerius model. Certificate of Joseph Vedral, violinmaker, Holland, 28 September 1929 | ||
| Vanessa-Mae | 1761 | Gizmo | [60] | |
| Pablo Valetti | 1758 | [61] | ||
| Pavel Vernikov | 1747, Piacenza | ex-Contessa Crespi, ex-Brengola | On loan from Fondazione Pro Canale. Worth $1.5 million in 2016. Stolen in December 2016.[62] | |
| Henri Vieuxtemps | 1750s | ex-Henri Vieuxtemps | [21] | |
| Henryk Wieniawski | 1750 | ex-Wieniawski | [63] | |
| Bob Wills | 1784 | Described as 157 years old when bought in 1941 for $3,000, Wills later claimed in an interview that he gave it away "to a friend of mine in Tayxas" and bought another for $5,000. | [64] | |
| Eugène Ysaÿe | 1774 | ex-Eugène Ysaÿe | [65] | |
| Bomsori Kim | 1774, Turin | |||
| Li Chuan Yun | 1784 | On loan from the Stradivari Society | [66] | |
| Kai Gleusteen | 1781 | the tiger | [67] |
- Violists
- Li-Kuo Chang plays the 'ex-Vieuxtemps' G.B. Guadagnini viola, Parma c.1768.[68][69]
- Geraldine Walther plays a G.B. Guadagnini viola, Turin 1774.[70]
- Cellists
- Nicolas Altstaedt plays a G.B. Guadagnini cello made in 1749 (body size: 70 centimeters)
- Natalie Clein plays the "Simpson" Guadagnini cello (1777).[71]
- Kristina Reiko Cooper plays the “ex-Havemeyer” Guadagnini cello made in 1743.
- David Geringas plays a G.B. Guadagnini cello made in 1761.[72]
- Maxine Neuman plays a 1772 Guadagnini.[73]
- Han-na Chang plays the G.B. Guadagnini cello made in Milan in 1757.
- Gilberto Munguia plays a G.B. Guadagnini cello (1748).
- Saša Večtomov played a G.B. Guadagnini cello made in Milan in 1754.
- Sol Gabetta plays a G.B. Guadagnini cello (1759).
- Carter Brey, principal cellist of the New York Philharmonic Orchestra, plays a Guadagnini made in Milan in 1754.[74]
- Groups
- Australian String Quartet (ASQ) plays four matched instruments: a violoncello (c.1743), and a violin (1748–49), both made in Piacenza, and a viola (1783) and another violin (1784) made in Turin.[75]
See also
[編集]References
[編集]- ^ a b “Violin Making in Turin, part 2: the Guadagnini family”. Tarisio Auctions. 19 May 2018閲覧。
- ^ a b “Giovanni Battista Guadagnini (1711-1786)”. Guadagnini.org (2011年). 23 October 2019閲覧。
- ^ Doring, Ernest N. (1949). The Guadagnini Family of Violin Makers. Chicago: Lewis & Sons Reprint with new introduction by Stewart Pollins, Dover Books, 2012. ISBN 978-0-48649-796-9
- ^ Davide Gasparotto; Anrea Zanrè (2012). “The role of Giovanni Battista Guadagnii in the tradition of violin making, an introduction”. Joannes Baptista Guadagnini, fecit Parmae serviens, celsitudinis suae realis : masterpieces from the Parma 2011 Galleria nazionale exhibition. Scrollavezza e Zanrè. ISBN 978-88-907194-0-0
- ^ a b c d Carlo Chiesa (2012). “On a String, Giovanni Battista Guadagnini’s life and whereabouts”. Joannes Baptista Guadagnini, fecit Parmae serviens, celsitudinis suae realis : masterpieces from the Parma 2011 Galleria nazionale exhibition. Scrollavezza e Zanrè. ISBN 978-88-907194-0-0
- ^ “Giovanni Battista Guadagnini”. Tarisio Cozio Archive. Tarisio. 14 March 2021閲覧。
- ^ a b c Philip Kass (2012). “The evolution of style and technique in the work of Giovanni Battista Guadagnini”. Joannes Baptista Guadagnini, fecit Parmae serviens, celsitudinis suae realis : masterpieces from the Parma 2011 Galleria nazionale exhibition. Scrollavezza e Zanrè. ISBN 978-88-907194-0-0
- ^ “Maker Profile”. Tarisio Cozio Archive. 14 March 2021閲覧。
- ^ “Price History: Guadagnini, Giovanni Battista”. Tarisio. 14 March 2021閲覧。
- ^ “Felix Ayo Biography”. Swiss Broadcasting Corporation. 23 October 2019閲覧。
- ^ “Deutsche Stiftung Musikleben”. Template:Cite webの呼び出しエラー：引数 accessdate は必須です。
- ^ “Veriko Tchumburidze Biography”. verikotchumburidze.com. 2022年7月10日閲覧。
- ^ “Guadagnini, 1747”. 2009年3月4日時点のオリジナルよりアーカイブ。23 October 2019閲覧。
- ^ “Guadagnini, 1751”. Cozio.com. 2009年3月4日時点のオリジナルよりアーカイブ。23 October 2019閲覧。
- ^ “Guadagnini, 1757”. Cozio.com. 2009年3月3日時点のオリジナルよりアーカイブ。23 October 2019閲覧。
- ^ “Biography”. Modigliani Quartet (2018年). 23 October 2019閲覧。
- ^ “References”. Pierre Dalphin (2008年). 2009年3月3日時点のオリジナルよりアーカイブ。23 October 2019閲覧。
- ^ “Giovanni Battista Guadagnini, Parma, 1770, the 'Dawes, de Long Tearse'”. 1 November 2022閲覧。
- ^ “Staff: Richard Deakin”. Royal Academy of Music. 21 October 2019閲覧。
- ^ Fischer, Frank-Michael (25 March 2013). “Julia Fischer performs the same piece on two different violins”. Violinist.com. 23 October 2019閲覧。
- ^ a b “Guadagnini, 175x”. Cozio.com. 2009年3月2日時点のオリジナルよりアーカイブ。23 October 2019閲覧。
- ^ Wagner, Thomas (2008年2月14日). “Violinist: Fall Fractures $1M Fiddle”. Times Herald-Record. オリジナルの21 February 2015時点におけるアーカイブ。 2008年2月15日閲覧。
- ^ Garrett, David (7 April 2013). “David Garrett - livestream in NY, 8 June 2012”. YouTube. 24 July 2013閲覧。Template:Dead Youtube links
- ^ “David Greed & Simon Lindley”. Leeds Town Hall (24 September 2018). 23 October 2019閲覧。
- ^ “Guadagnini, 1752”. Cozio.com. 2009年3月4日時点のオリジナルよりアーカイブ。23 October 2019閲覧。
- ^ “David Halen”. Mercer University (2006年). 6 March 2012時点のオリジナルよりアーカイブ。23 October 2019閲覧。
- ^ Salabue Auctions (5 February 2016). “Ex-Heifetz 1741 Johannes Baptista Guadagnini Violin”. Facebook. 23 October 2019閲覧。
- ^ “Marlene Hemmer” (オランダ語). Nationaal Muziekinstrumenten Fonds. 3 April 2016時点のオリジナルよりアーカイブ。23 October 2019閲覧。
- ^ a b “In praise of Gaudagnini” (英語). The Strad (Vol. 122): 36–44. (October 2011).
- ^ “Guadagnini, 174x”. Cozio.com. 2009年3月3日時点のオリジナルよりアーカイブ。23 October 2019閲覧。
- ^ “Guadagnini, 1767”. Cozio.com. 2007年9月27日時点のオリジナルよりアーカイブ。23 October 2019閲覧。
- ^ “Ida Kavafian, violin”. Chamber Music Society of Lincoln Center (2008年). 2009年5月25日時点のオリジナルよりアーカイブ。23 October 2019閲覧。
- ^ “Biography”. David Kim. 23 October 2019閲覧。
- ^ “Cecilia String Quartet”. Analekta. 23 October 2019閲覧。
- ^ “Concert to feature a Guadagnini violin worth a million and a half Euros”. Croatian Times (8 October 2008). 2011年7月6日時点のオリジナルよりアーカイブ。23 October 2019閲覧。
- ^ “Kopelman Quartet: Biography”. Mariedi Anders Artists Management (April 2005). 2008年9月7日時点のオリジナルよりアーカイブ。23 October 2019閲覧。
- ^ “Guadagnini, 1750”. Cozio.com. 2009年3月4日時点のオリジナルよりアーカイブ。23 October 2019閲覧。
- ^ “Pekka Kuusisto, violin”. Ondine. 23 October 2019閲覧。
- ^ “Guadagnini, 1785”. Cozio.com. 2005年9月2日時点のオリジナルよりアーカイブ。23 October 2019閲覧。
- ^ “Wayne Lin”. Naxos Records. 23 October 2019閲覧。
- ^ Yangen Xu (3 August 2006). “Great Violinists at the Proms”. musicOMH. 23 October 2019閲覧。
- ^ “Les Musiciens De L'Ensemble: Mauro Lopes Ferreira” (フランス語). Café Zimmermann. 23 October 2019閲覧。
- ^ “Haldan Martinson”. Boston Symphony Orchestra. 2010年3月12日時点のオリジナルよりアーカイブ。23 October 2019閲覧。
- ^ “Giovanni Battista Guadagnini (circa 1780), Turin”. Ingles & Hayday (2017年). 30 August 2017時点のオリジナルよりアーカイブ。23 October 2019閲覧。
- ^ “Biography”. Viktoria Mullova (2005年). 9 July 2009時点のオリジナルよりアーカイブ。23 October 2019閲覧。
- ^ Todes, Ariane (8 February 2013). “What happened to Ginette Neveu's Stradivari?”. The Strad. オリジナルの2016-08-08時点におけるアーカイブ。 23 October 2019閲覧。.
- ^ “Les Musiciens De L'Ensemble: David Plantier” (フランス語). Café Zimmermann. 23 October 2019閲覧。
- ^ “Biography”. Simone Porter Violin. 26 October 2018時点のオリジナルよりアーカイブ。23 October 2019閲覧。
- ^ “About Linda Rosenthal, violinist”. Linda Rosenthal. 23 October 2019閲覧。
- ^ “Guadagnini, 1751”. Cozio.com. 2009年3月4日時点のオリジナルよりアーカイブ。23 October 2019閲覧。
- ^ “Mari Samuelsen: Tracklist”. Deutsche Grammophon. 23 October 2019閲覧。
- ^ “Giovanni B. Guadagnini” (ノルウェー語). Anders Sveaas Almennyttige Fond. 23 October 2019閲覧。
- ^ “Artistic Director”. Cactus Pear Music Festival. 2009年7月23日時点のオリジナルよりアーカイブ。23 October 2019閲覧。
- ^ Sadler, Naomi (28 June 2017). “Ittai Shapira”. Tarisio. 23 October 2019閲覧。
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- ^ “Biography”. Yvonne Smeulers. 23 October 2019閲覧。
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- ^ “First Violins: Lyndon Johnston Taylor”. New Zealand Symphony Orchestra. 2010年5月21日時点のオリジナルよりアーカイブ。23 October 2019閲覧。
- ^ “Vanessa-Mae calls her Guadagnini violin "Gizmo". Why is that?”. Vanessa-Mae.net (14 September 2016). 23 October 2019閲覧。
- ^ “La Direction Artistique: Pablo Valetti” (フランス語). Café Zimmermann. 23 October 2019閲覧。
- ^ “Giovanni Battista Guadagnini violin, worth $1.5m, stolen from Geneva train”. The Strad. (12 December 2016) 23 October 2019閲覧。.
- ^ “Guadagnini, 1750”. Cozio.com. 2009年3月4日時点のオリジナルよりアーカイブ。23 October 2019閲覧。
- ^ Townsend, Charles R. (1976). San Antonio Rose: The Life and Music of Bob Wills. Urbana: University of Illinois. p. 230. ISBN 0-252-00470-1
- ^ “Guadagnini, 1754”. Cozio.com. 2009年3月19日時点のオリジナルよりアーカイブ。23 October 2019閲覧。
- ^ Bargreen, Melinda (4 April 2008). “Young violin phenom Chuanyun Li to play at Benaroya Hall”. Seattle Times. オリジナルの2014年4月9日時点におけるアーカイブ。 23 October 2019閲覧。
- ^ Bargreen, Joan G. (1 June 2008). “Kai Gleusteen personal page” 22 November 2021閲覧。
- ^ “Giovanni Battista Guadagnini 1711-1786”. Guadagnini.org (2011年). 23 October 2019閲覧。
- ^ “Choong-Jin Chang”. Peabody Institute of the Johns Hopkins University (2014年). 2016年3月8日時点のオリジナルよりアーカイブ。23 October 2019閲覧。
- ^ “Geraldine Walther”. Bein & Fushi. 9 July 2012時点のオリジナルよりアーカイブ。2012年10月16日閲覧。
- ^ “Biography”. Natalie Clein. 23 October 2019閲覧。
- ^ Mnatzaganian, Sarah (2004年). “G. B. Guadagnini”. Aitchison Mnatzaganian. 2 June 2008時点のオリジナルよりアーカイブ。23 October 2019閲覧。
- ^ “Biography”. Maxine Neuman. 3 March 2016時点のオリジナルよりアーカイブ。23 October 2019閲覧。
- ^ “Carter Brey, Principal Cello”. New York Philharmonic. 23 October 2019閲覧。
- ^ “Our Instruments”. Australian String Quartet. 2017年2月12日閲覧。
Bibliography
[編集]- Cozio Archive Giovanni Batista Guadagnini.
- Template:Cite Grove1900
- Mnatzaganian, Sarah (2004年). “G. B. Guadagnini”. Aitchison Mnatzaganian. 2 June 2008時点のオリジナルよりアーカイブ。 Template:Cite webの呼び出しエラー：引数 accessdate は必須です。
- Doring, Ernest N. (1949). The Guadagnini Family of Violin Makers. Chicago: Lewis & Sons
- König, Adolf H., ed (1981) (ドイツ語). Die Geigenbauer der Guadagnini-Familie: Die Turiner Schule [The violin makers of the Guadagnini family: The Turin School]. Frankfurt: Verlag Das Musikinstrument. ISBN 978-3-92011-265-7
- Fiori, G. (1994). “Documenti biografici di artisti e personaggi piacentini dal '600 all' '800 nell' Archivo Vescovile di Piacenza [Biographical documents of Piacenza artists and characters from the 600s to the 1800s in the Archdiocese of Piacenza]” (イタリア語). Strenna Piacentina: 67–111.
- Kass, P.J.. Violin Makers of the Piedmontese School
- Vannes, Rene (1985) (フランス語). Dictionnaire Universel del Luthiers (vol.3). Bruxelles: Les Amis de la musique. OCLC 53749830
- Henley, William (1969). Universal Dictionary of Violin & Bow Makers. Brighton, England: Amati. ISBN 0-901424-00-5
- Hamma, Walter (1993) (ドイツ語). Meister Italienischer Geigenbaukunst [Master of Italian violin making]. Wilhelmshaven: F. Noetzel. ISBN 3-7959-0537-0
- Rosengard, Duane (2000). Giovanni Battista Guadagnini: The Life and Achievement of a Master Maker of Violins. Haddonfield, New Jersey: Carteggio Media. ISBN 978-0-97042-290-3
External links
[編集]- “"ex-Joachim" G.B. Guadagnini Turin 1775”. Leroy Douglas Violins. 2009年1月6日時点のオリジナルよりアーカイブ。 Template:Cite webの呼び出しエラー：引数 accessdate は必須です。
- ""Bach es un horizonte de infinitas posibilidades" . Archived from Diario de Sevilla on 12 Marzo, 2021.